11/20/2023 0 Comments Kite 2014 movie plot![]() ![]() In the world of Kite, the recent banking crisis wasn't so much a crash as it was a six-lane pileup. Will the new live-action version of Kite become the breakout hit that soars high above the walls of the anime ghetto, or is there still not enough of a wind of interest in manga and anime adaptations to stop it from scraping the ground? It's brash and ballsy, in more ways than one, and that can have the energy to cross continents. Even though the original Kite anime is only a two-episode OVA - with the sex scenes cut out, it barely scrapes a 40-minute TV hour - Kite has a presence all out of proportion to its short length for its entwining of sex and violence as twisting caducean snakes snapping at each other around an iron core of corruption and revenge. Although Umetsu has a wide number of credits for a considerable diversity of shows right up to the present day (directing this year's Wizard Barristers), he is best known for his two erotic thrillers in 1998's Kite and 2001's Mezzo Forte - and they can truly be said to be his as well, with him being not only their director but writer and designer and chief animator too, they really are impressed with the auteur's watermark. Studios seeking new material are finding previously-overlooked promise in the huge library of Japanese media, and South African company Videovision Entertainment in partnership with Anchor Bay Films (sister company to Manga Entertainment, both part of the Starz Media group) are settling on Yasuomi Umetsu's distinct cut. It's clear from these examples that anime and manga alike do have a lot to offer wider audiences - the popping of the anime bubble back in the Noughties was more to do with bad marketing and poor business deals than it was the subject matter's incompatibility in Western tastes, and we have already seen that the latter can be overcome. Even James Cameron, director of the highest-grossing films in all movie history Titanic and Avatar and so someone who can be said to be something of a tastemaker, understands the appeal of manga and has promised us an adaptation of Yukito Kushiro's Battle Angel Alita once he's finished up with Avatar's sequels. Director Darren Aronofsky ripped o- er, homaged Satoshi Kon's Perfect Blue in his Oscar-winning Black Swan, and this year Tom Cruise took top billing in the major summer blockbuster Edge of Tomorrow, loosely adapted from Hiroshi Sakurazaka's All You Need is Kill. What everyone forgets though is that Kipling goes on to finish the poem with " there is neither East nor West, border, nor breed nor birth, when two strong men stand face to face, though they come from the ends of the earth!" - there are ties of commonality between us, and oddly enough the brash boisterous confidence of Hollywood is the best place to recognise it. ![]() bafflement of host and audience alike, and the sentiment must be familiar to any anime fan who only half-jokingly talks about hiding his power level from the normals. Just recently the Vocaloid mascot Hatsune Miku made a holographic appearance on David Letterman's major US chat show to the. Even today, when not only anime and manga are on our store shelves but we drive to work in Honda Civics and play videogames on Sony PlayStations, there is still the powerfully persistent preconception that the Japanese are a weird, alien, incomprehensible species. ![]() "East is East and West is West and never the twain shall meet" - so sayeth our great imperial sage, Rudyard Kipling. ![]()
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